Titel
Of victims and perpetrators : montage as aesthetic subversion, provocation, and reflection in Alfréd Radok's "Distant Journey", Alain Resnais' "Hiroshima mon amour", and Sidney Lumet's "The Pawnbroker".
Schlagwörter
Daleká cesta (Motion picture); Hiroshima mon amour (Motion picture); Pawnbroker (Motion picture); Motion pictures History 20th century; Holocaust, Jewish (1939-1945), in motion pictures; Atomic bomb victims in motion pictures; Hiroshima-shi (Japan) History Bombardment, 1945 (Judaica-Portal)