Jaro na Podkarpatské Rusi

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Originaltitel
Jaro na Podkarpatské Rusi
Produktionsland
XC
Jahr der Veröffentlichung
1929
Genre
de Dokumentarfilm
Sprache
cs
Dauer (in Minuten)
10
Kamera
Plicka, Karel
Produktionsfirma
Elekta Journal
Schlagworte
de Dokumentarfilm
de Transkarpatien (Judaica-Portal)
de A documentary from Carpathian Ruthenia introducing its development, inhabitants and historic sights. Having crossed the national borders, spectators encounter a view of the local landscape. A horse-drawn wain crosses a river, women wash laundry. The river is dammed by a wooden dam and a watermill. The film tries to capture the lifestyle of the local inhabitants (funfair in Bohdan, wedding, folk costumes of Rusyns and Hutsuls). Architectonic and historic sights are represented by churches, bell towers, Byzantine rotunda, cloisters, cemeteries. We can see traditional wooden dwellings as well as a Gypsy village. The picture presents also shots of mansions (castles and their ruins, castle). The next part of the document deals with agriculture predominately. Herds graze on meadows. We can see shepherd's huts, harvest of hemp, tobacco and grapevine as well as horse breeding and their dressage. Follows timber industry, weaving and salt mines. We learn about the local spa economy. In the market time, we visit the town of Mukachevo with numerous Jewish populations. Great attention is paid to education. Among the school buildings presented here, there is, for example, a Jewish high school in Mukachevo and a Gypsy school in Uzhhorod. The film captures, among others, Minister of Education Ivan Dérer and politician Anton Beskid. The final sequence of the film shows construction of roads, a dam, power plant and slaughterhouse. (Judaica-Portal)
Gattung
Non-Fiction
Zusammenfassung
en Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits. (TMDB)